Friday, March 1, 2019
PONTORMO'S "THE VISITATION"
Here's how this week's arts and culture column begins:
If there is one museum exhibit to see this year, I cast my vote for “Pontormo: Miraculous Encounters,” at the Getty. Its centerpiece is an exquisite rendering of the “Visitation.”
The Saturday I went traffic was horrible, getting into the Getty lot and finding a space took almost half an hour, and rather than stand for God knows how long more in the TSA-style security line through which visitors now have to pass simply to get on the tram, I opted to walk up the hill.
En route, I thought about how the whole experience of getting to our beloved Getty is a microcosm of our lives as Angelenos: the car, the beauty crossed with hardship, frustration, hope, and if we’re lucky, gratitude.
I thought of the “Visitation’s” backstory: how the angel Gabriel “overshadowed” the Virgin Mary, her question — “But how can this be?” — her sublime yes. Pregnant with Christ, she’d set out on foot, traversing “the hill country” to visit her aged cousin Elizabeth who, way past childbearing age, at the time was also miraculously pregnant.
To know the backstory is to know that Elizabeth was bearing into the world John the Baptist, who would say of Christ, “He must increase, and I must decrease,” who would be a voice crying out in the wilderness, and who would be beheaded in prison at the behest of a harlot and her mother.
READ THE REST HERE.