Thursday, August 10, 2017


Ilona, a photographer and former model originally from Latvia,
in the mezzanine library of her home, which so far contains only copies of a self-published book
of her fashion photographs. Moscow, 2012.
copyright Lauren Greenfield (image from the Annenberg Space for Photography exhibition,
Generation Wealth by Lauren Greenfield

This week's arts and culture column is a reflection on the idolization of celebrity and bling.

Here's how it begins:

Here’s an exhibit that will make you want to go home, take a shower and give thanks for your humble existence: “Generation Wealth” at the Annenberg Center for Photography.

“Generation Wealth” (subtitled “A Visual History of the Growing Obsession with Wealth That Has Come to Define a Generation”) spans 2 1/2 decades of the work of photographer, documentarian and urban anthropologist Lauren Greenfield. The exhibit ends Aug. 13, but you can peruse Greenfield’s interviews, commentary and selected photos at your leisure by visiting the exhibit’s website.

Greenfield grew up in Venice “before it was gentrified.” Her mother, a professor, did cross-cultural fieldwork in Mayan Indian villages. But Greenfield, fresh out of Harvard with a degree in visual anthropology, began to realize that L.A.’s culture of wealth, status and bling — vis-à-vis the “American Dream” — deserved its own study.

She began to train her lens on rich high school kids: the $60,000 bar mitzvahs, the girls who received nose jobs as graduation gifts.

She made a documentary, “Thin” (2006), about young women with eating disorders. She also made the shorts “kids + money” (2008) and “Beauty CULTure” (2011).

“Generation Wealth,” a multimedia project, is divided into nine sections, including “Bling Dynasty/New Oligarchy,” “The Legacy of Gordon Gekko” and “Sexual Capital/New Aging.”


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